Zionwood – the factory of Jewish dreams
Zionwood – the factory of Jewish dreams
Hollywood is a Jewish controlled, Judeo-centric propaganda machine which aims to give Jews not only money, but also total mind control over the world, promotion of morality according to the Jewish standards, and presentation of history written by Jews. The very statement: “Jews control Hollywood” is already described as “anti-Semitism”, but only on a condition that those words are spoken by someone who is not a Jew himself. The Jews are the only ones who have freedom of speech.
What is Hollywood
Hollywood is the largest film studio in the world, also known as the “dream factory”. For more than a century of its existence the Motion Picture Company has produced a lot of interesting and clever films, even more purely commercial but mostly the ones dedicated to propaganda. Films which I see as intellectually ambitious and having a profound message are those which were based on the European or Japanese literature and then were shamelessly remade from the films originally produced in Europe or Japan and adapted to please the American subculture. Hollywood also specializes in commercial films filled with special effects without much sense or morality and even without the slightest attempt to pass on basic values. In my article however I’m going to concentrate on the propaganda films of the past decades and I have to say very regretfully that Hollywood is a propaganda machine serving its Jewish occupiers.
In favour of the New World Order each film is a product designed to meet the basic elements of the current regime, such as political correctness, promotion of homosexuality, promotion of mixed relationships, building the “White guilt” and of course promoting the Jewish culture and showing Jews as the eternal victims. The Hollywood propaganda films also show lack of respect for human life, shallow lifestyles dedicated to consumption and of course the endless saving of the world by America, and promotion of Israel. Hollywood is a tool designed to brainwash people with the extreme Left, Zionist propaganda so people could mentally consume what is worthless and have impression that everybody lives in America and have to behave and think the way Hollywood suggests. For a fact this propaganda never ends and does not even exclude historical cinema and films for children; and in certain moments it is shocking. After a closer look at the issue I believe that we should approach Hollywood with a great distance and we should always protect our children from the poison which comes out from the film laboratories of the Zionwood propaganda machine.
The Jewish domination of American media, politics and finance is obvious and has been documented many times in quotes of Israeli politicians and Jewish journalists in America who in their infinite arrogance do no longer even bother to be quiet.
“Don’t worry about American pressure on Israel, we the Jewish people control America and the Americans know it.”
Ariel Sharon; the Prime Minister of Israel in the years 2001 – 2006 (quotation dated on 03/10/2011 in response to pressure from the Israeli President Shimon Peres to respect American request to cease fire against Palestine).
Jews do control Hollywood
According to the generally available fairy tale saying that “Jews control Hollywood” is a result of „anti-Semitism” which was born in the 1920s and it came from the mouth of Henry Ford, the owner of the newspaper The Dearborn Independent who told the truth about Jews straight from his heart. Henry Ford wrote the truth about their stealing, exploitation of Americans and their parasitic way of life which he beautifully described in a four volume article titled “The International Jew”. According to Ford Jews controlled Hollywood although according to Jews who hold the media n their hands as a tool to give them a political power is a result of “anti-Semitism”. I have to admit that in a certain way I agree with the tale of “anti-Semitism” because it is a tool for earning a fortune.
The neo-fascist Jewish organization called ADL (Anti-Defamation League) was created in 1913 by Jews for Jews and it believes that the slogan “Jews control Hollywood” is very offensive, harmful, false and wrong in relation to Jews. Abe Foxman (the Jewish boss of ADL) was also under opinion that all the actors, producers and directors of Hollywood were primarily Americans who provided entertainment to people in a professional manner without any Jewish conspiracy which they are accused of and that Hollywood is by no means dominated by Jews. However, Abe Foxman who is a Zionist agent in Hollywood forgot to show the long list of Jewish actors, directors and owners of film studios who like him are Jews, devouted to the Zionist ideology.
Well, let’s say that we believe that Jew but just in case, simply to not be empty worded I have prepared a list in which I intend to present just a few names at the highest levels of power, career and fame of Hollywood.
The studios and corporations bosses:
- Peter Chernin; President of News Corporation in the years 1996 – 2009 (Jew)
- Brad Grey; President of Paramount Pictures from 2005 (Jew)
- Bob Iger; head of Walt Disney (Jew). Walt Disney is rolling himself over in his grave because he was repeatedly accused of “anti-Semitism” even after his death.
- Michael Lynton; the head of Sony Pictures (Jew)
- Barry Meyer; the head of Warner Brothers until 2013 (Jew).
- Harry Warner, one of the founders of Warner Bros. (Jew). One of his more famous quotes is: “He a nice pal for a goy”.
- Leslie Moonves; president and the head manager of CBS Corporation (super-Jew who is the great-nephew of the Israel’s first Prime Minister David Ben Gurion)
- Harry Sloan; director of Metro Goldwyn Mayer in the years 2005-2009 (Jew)
- Jeff Zucker; former chief executive of NBC Universal and the current president of CNN Worldwide (super-Jew who controls CNN around the world).
- Bob And Harvey Weinstein, co-founders of Miramax Films (Jews).
Of the more than 120 Jewish directors I chose just a few names to show that in Hollywood career is inherited ethnically. They are: Steven Spielberg, Woody Allen, Mel Brooks, Michael Mann, Milos Forman, Oliver Stone, Stanley Kubrick, Sydney Pollack, Joel Schumacher, Roman Polanski and many others.
This list simply never ends because domination of Jewish actors continues to assure the ethnic Jewish control over their propaganda empire. Of the 550 names on the list some of the names are: Harrison Ford, Kirk and Michael Douglas, Sean Penn, Marilyn Monroe (convert to Judaism), Elizabeth Taylor (convert to Judaism), Paul Newman, Ben Stiller, Adam Sandler, Walter Matthau (started in a yidish thethre), Gene Wilder, Dustin Hoffman, Barbara Streisand, Goldie Hawn, Billy Crystal, Steven Seagal, Natalie Portman, Scarlet Johansson, Robert Downey Jr., Daniel Day-Lewis, Alicia Silverstone, Helena Bonham-Carter, David Duchovny, Jack Black, Marx brothers, Daniel Radcliffe, Joan Collins, Gwyneth Paltrow (her father’s family were Ashkenazi Jews and her grandfather was a famous rabbi named Paltrowicz), Natalie Portman (outspoken Zionist). As for Sylvester Stallone his mother spoke that she intended to seek her Jewish roots which to me is just a way of a better payout from the Jewish producers even if poor Rocky has nothing in common with Jews.
I looked through many lists of Jewish actors from different times and from different periods of cinema and every time I saw the same pattern. Jews rule the studios and employ other Jews at lower levels although from time to time they employ “gentiles” who sell their souls to them for fame and money. The best example of it is Brad Pitt, which based on the examples below I consider to be the Zionist propagandist, even though he is not Jewish. Other actors who are not Jews and don’t want to end their careers convert to Judaism to fall into grace with the empire. That’s how it is in Hollywood.
As we can see the Jewish pyramid of Zionism in Hollywood is strong at all levels and it is Jewish to the core.
In 1988 author Neal Gabler even published a book entitled: “An empire of their own: How the Jews invented Hollywood”. The book was obviously received by Jews with a great distance and because of lack ideas to come up with something smart Jews labelled the publication to be under the “anti-Semitic” banner. The author wrote about Jewish immigrants from Eastern Europe who adapted well to their surroundings and shot films according to their own vision of “the American dream”. In my opinion Jews stole Hollywood, especially as I wrote above Walt Disney was an outright critic of Jews (the so-called “anti-Semite”) and today his own studio is also managed by a Jew. The author also writes about the racial discrimination involving a ban on employing non-Jews and taking part in film making, because as he writes, “Jewish links” are built on discrimination at all levels.
“Jews; a nation which legally discriminates other nations, at the same time forces other nations to stop discriminating others. “
Unfortunately, despite the fortune Jews in Hollywood don’t always have an easy life because they are not able to control everything. Sometimes it happens that famous actors who are not Jewish have honest days and they throw a sentence which Jews are allergic to. Several actors such as Mel Gibson (“Mad Max”, “Braveheart”), Gary Oldman (“Dracula”, “Dark Knight”) or even Marlon Brando (“The Godfather”) tell the truth about Jewish control of Hollywood but soon afterwards they they are always persecuted by the Jews and apologize in tears because they don’t want their careers to be ruined. Some actors say such things when drunk because it works on them like an elixir of truth, others throw in a sentence in an innocent way and there are also those who want to have their revenge for the harms inflicted by Jews. Regardless of the intentions Jews are very sensitive when it comes to their image in the media because people know who uses them and a great fire always starts with a little spark.
Below are some of the better quotes:
“Hollywood is run by Jews. It’s owned by Jews and they should have a greater sensitivity about the issue of people who are suffering”
Then he talked about all the negative stereotypes that we saw in a cinema: “We’ve seen the nigger and the greaseball. We’ve seen the Chink. We’ve seen the slit-eyed dangerous Jap. We have seen the wily Filipino. We’ve seen everything. But we never saw the kike, because they knew perfectly well that that’s where you draw the wagons around”(allusion to the holocaust).
Marlon Brando – who gave a minute of truth in Larry King Live on April 5, 1996 describing how the hypocritical Jews use racial stereotypes and control Hollywood. Then he apologized in tears.
„Fucking Jews. The Jews are responsible for all the wars in the world”.
Mel Gibson – after he was arrested for drink driving and when he asked the policeman if he was Jewish. 2006.
Then Gibson apologized.
“Mel Gibson is in a town that’s run by Jews and he said the wrong thing because he’s actually bitten the hand that I guess has fed him—and doesn’t need to feed him anymore because he’s got enough dough.”
Gary Oldman on Mel Gibson’s arrest
„We’re all fucking hypocrites. That’s what I think about it. The policeman who arrested him has never used the word nigger or that fucking Jew?
Gary Oldman – who told the truth and also tried to defend Mel Gibson. Then however he was forced to launch a passionate apology to the Jewish organization ADL.
Joel Stein – a Jew who tells the truth
In the above chapter I presented the evidence of Jewish control of Hollywood and then I presented non-Jewish actors who were punished for telling the truth. But what happens when a Jew agrees with my views? Absolutely nothing because Jews are entitled to spread the Jewish rhetoric of greatness.
In this chapter I would like to take a closer look at an article written by a Jew Joel Stein which appeared in the Los Angeles Times in 2008 and which was titled “Who runs Hollywood? C’ mon”. Even though the ADL felt offended with a slogan: “Jews control Hollywood” and considers such a statement „anti-Semitic and dangerous”; and although some people had been punished for such comments, Jews still have full freedom of speech.
Below are the most relevant quotes from the article written by Joel Stein about Hollywood:
„But I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them”.
„As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day”.
„I have never been so upset by a poll in my life. Only 22% of Americans now believe “the movie and television industries are pretty much run by Jews,” down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood”.
„So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all”.
When a Jew can’t stop himself from talking about the greatness and a total control exercised by Jews, then for the most important institutions in the country it is still fine. Therefore Joel Stein who openly and arrogantly shouted in the media that “Jews control Hollywood” and the most important institutions in the US, has become a Jewish hero. However, when non-Jewish actors such as Gary Oldman politely mentioned the same thing he was labeled an “anti-Semite” and his completely unnecessary apologies were not enough for the ADL. As an outcome of the whole situation we can easily talk about judeofascism.
In addition, Joel Stein’s article was also published in The Jewish Journal and it won the support of an important medium such as The Times of Israel.
However, what surprises me the most are the attitudes of Americans and Europeans who behave like herds of stupid sheep. I have to admit that not all Jews are deceitful liars. Some of them tell us the truth straight in our faces. They shout; “Americans, Englishmen, Frenchmen, we govern you and we will do to you whatever we want”, and then we see just another leftist White crowd on the streets apologizing for “anti-Semitism”, “racism” and “homophobia”. Maybe someday Jews would pity us so much that they would want to wake up the empty minded White crowds, although then they would have to beat them with rubber hammers on the heads.
Michael Medved – a Jew who tells the truth
In addition to Joel Stein’s article, in 1996 the Jewish magazine Moment which is considered to be the most influential Jewish magazine in North America, published an article on the first page titled: “Jews run Hollywood – So what?” That article was also written by a Jewish journalist and although Jews had mixed feelings about it Medved avoided persecution. Still, the title turned out to be too obvious for the Jews and that’s why they decided to change it to: “Is Hollywood is too Jewish?” However, the mere change of the title did not help because Michael Medved is one of the most truthful Jews in the world.
Below are the most relevant quotes from Michael Medved’s article on Hollywood:
„It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names”.
Medved also writes about how Jews took over the major companies from non-Jews:
„The famous Disney organization, which was founded by Walt Disney, a gentile Midwesterner who allegedly harboured anti-Semitic attitudes, now features Jewish personnel in nearly all its most powerful positions”.
Medved also writes about how Jews took over the major companies from non-Jews: „Men and women of Jewish background enjoy a vastly disproportionate—if not dominate—influence in Hollywood”.
„Even studios which were bought out by the Japanese Sony Corp. still had to hire „a Yiddish team” of long-time industry leaders in all the most powerful positions. When Mitsushita took over MCA-Universal, they did nothing to undermine the unquestioned authority of Universal’s legendary—and all-Jewish—management triad of Lew Wasserman, Sid Scheinberg and Tom Pollack”.
Medved also writes that the power over Hollywood studios is taken over by Jews generation after generation to maintain the Jewish power, and for example that was the case with Samuel Goldwyn Pictures. According to Medved we can speak of a Goldwyn dynasty and every other.
Medved also writes that:
„Medved also writes that over the past 10 years the public has believed that this industry is more firmly associated with Jews than any other business in the world. That it is almost universally viewed as a „destructive force in our society”.
According to Medved:
While Hollywood never stops portraying whites as degenerate criminals at every conceivable occasion, Jews are always portrayed as heroes.
Medved also writes that:
„Jewish writers and directors employ unquestionably flattering depictions of Jews for audiences to react with sympathy and affection”.
In my opinion, the most striking of the Medved’s quotes is the one about the thick thread that links Hollywood with American politics:
„The combined weight of so many Jews in one of America’s most lucrative and important industries gives the Jews of Hollywood a great deal of political power. They are a major source of money for Democratic candidates. The industry’s informal patriarch, MCA chairman Lew Wasserman, wields tremendous personal clout in state and national politics. So do Barbara Streisand, Norman Lear and others”.
At the end Medved said that:
“Even after such effusive confessions he was never forced to explain himself to the Jew Foxman of the ADL, because he himself was a Jew”.
The examples of Jewish and anti-White propaganda in Hollywood films
Among many facts and film episodes which I’m going to present in my article I want to say that Hollywood serves such absurd that it’s hard to believe that people can be so blind and stupid to not to see it. There are thousands of episodes about the eternal innocence of Jews, films suggesting compassion towards Jews and on the other hand there is a rich propaganda of sodomy, whitening Negroes and building the White guilt. Who hasn’t seen films or even episodes in which a Negro stands up for justice against White villains and who hasn’t seen blockbusters showing American prisons where 90% of convicts were White.
I remember an American sitcom in which children talk amongs themselves that they are raised by homosexuals – and to my great surprise we can hear the audience applauding that vile reality. Jews destroy America and the whole world through the poison that comes out of the screens. Because of the New World Order which aims to flood Europe with Muslims and tell us that black is white it makes me feel that all we need to see is a film about the Ottoman Empire and ‘its peacekeeping mission at the gates of Vienna’, or a film about Mozart who was a great composer thanks to the genius of his teacher – a Negro called Kali. Falsifying history and promotion of white guilt is the specialty of Zionwood.
Here are some of the most vile, disgusting and naive fragments of Zionwood:
- “The Emperor’s New Groove 2” (2005); an animated film in which a native couple of ancient Inca kingdom takes a Jewish wedding in the South American jungle.
(A sitcom from the series: “Be careful, we Jews are everywhere”). They are indeed as the boss of Walt Disney Corp. is a Jew.
- “Independence Day” (1996); a naively emotional film about America’s greatness and about how aliens who were technically much superior to humans by at least three hundred years attacked Earth. However, humans won the war because a Jew boarded an alien spaceship and flew to the alien base to upload a virus from the 90s to the aliens’ main computer, what of course knocked down the aliens completely. The Jew’s right hand was a black man who was an ace of air force and a husband of a stripper wife. Meantime in New York another Jew says a prayer for the Earth with non-Jews, and according to his opinion those who are not Jews do not have to worry because ‘nobody is perfect’. “Independence Day” is a classic demonstration of special effects with an extremely persistent Jewish propaganda.
(A sitcom from the series: “How lucky we are that we have Jews, the chosen saviours of the world”). The film was directed by Roland Emmerich, a German Jew who in his films always represents the same things: he ridicules Muslims, he undermines the role of women, he promotes apocalypses and promotes Jews as the saviours of the world.
- “Marie Antoinette” (2006); the Austrian wife of the last king of France whose piano teacher was a Negro, despite the fact that in the eighteenth century Negroes could not even read and write. The film tells the true story of Marie Antoinette but its certain moments are contrary to the realism of the eighteenth century.
(A sitcom from the series: “Mozart’s music is great because it is based on African rhythms”). What else will Jews come up with to brainwash us?
- “The Princess and the Frog” (2009); Disney’s animated propaganda film which is a classic example of building the “White guilt” and a way of promotion mixed relationships among children. What is interesting, in order to promote “negromania”, which aims at whitening the Negro imperfections, the Black princess has White face features but a black face and black hands. Apart from that to not to offend Negroids the Black princess is shown in a European style dress tailored by a White man. Generally, it is a story of a Black woman whose face features are White enough to arouse compassion of White audiences. The Black princess is persecuted by White villains but she is helped by a good Black voodoo witch. The film is placed in the 1920s in New Orleans which was a cradle of slavery. The Black heroine’s name is Tiana which used to be a very popular name for female slaves in those times and in addition, she of course worked for a White man. At the end of the film she kisses the White prince, therefore letting children know that from now on all relationships must be mixed.
I think that after this film Walt Disney who was an open critic of Jews and a promoter of the White American culture turns in his grave because first his label was managed by Jew Michael Eisner and now it is managed by another Jew Robert Iger. What’s happened to Snow White?
(A sitcom from the series: “If you buy this propaganda you will probably believe in everything.” Unfortunately a lot of Americans bought it).
- “World War Z” (2013); a film about a zombie invasion which by many critics and audiences has been considered to be the biggest promotion of Israel since “Exodus”. The film also justifies the occupation of Palestine and the separation of Arab population from the “chosen nation” with a huge wall. In my opinion the most interesting scene is the one where in the safe part of Jerusalem Jews and Muslims pray and sing side by side in perfect peace and everything looks as if Jews were defenders and friends of the Palestinians. Then, even in the times of great threat from the zombies there is a great joy and a feeling of brotherhood on people’s faces. Israeli soldiers watch over for the safety of Palestinians and the flag of Palestine waves in the background. Even the head of the Mossad looks at praying Palestinians and says: “Every man we save will be one less we’ll have to fight”. Watching such nonsense can give people an impression that Israel plays a mission of mercy towards Palestine and that the only problem in that part of the world is just with those zombies. At the end of that part of the film the main character, Brad Pitt, rescues a Jewish female soldier who from that moment helps him in saving the world.
The film “World War Z” was also shown in several Arab countries and it was received with a huge distance. In addition to “peace and harmony” between Jews and Palestinians the wall itself was also very controversial because it exists purely to separate the zombies (Palestinians) from Jews. According to me “World War Z” has also another hidden allegory with regard to depopulation of the world, behind which will stand Israel. Questions arise: why did Israelis surround the city of Jerusalem with a wall? How did they know about the zombie invasion and why they surrounded Jerusalem on time? In the book zombies do not get to Jerusalem because they are not able to push through the high walls but in the film there is right the opposite to make the film more spectacular. My conclusion is that if we ever see that there is an outbreak killing entire nations I advise everyone to immediately go to Jerusalem.
(A sitcom from the series: “We Jews can make you believe in anything and we are always innocent”).
Hollywood movies about the Holocaust
Films about the holocaust are a great business, despite the fact that there isn’t really any strong evidence that 6 million Jews died in the camps. The word “holocaust” is the name of the label, in exactly the same way as the word “whiskey.” As we know certain words are related to the word “whiskey”, such as Jack Daniels, Tennessee, glass, barrel or bar. In contrast, the word “holocaust” is related to words such as: Auschwitz, Mengele, Birkenau, 6 million, never again, Nazis and gas chambers. Over the years a lot of money has been invested in both whiskey and the holocaust and now those investments have to pay back.
After the war the Jews wanted to convince the Germans that they had killed about 10 million Jews, simply to steal more money from them but even then the very guilty Germans took that tale to be a complete absurd. Due to the fact that Germany was building a first submarine for Israel, Jews finally agreed that they would settle the number at 6 million. Because Jews control Hollywood and the world’s media it is easy for them to control people through lies which are so intrusive that to most people the word “history” has become synonymous with the word “holocaust”.
In America there are even courses set up by Jews during which experienced Jews teach young Jews how to profit on being the holocaust victims. These same people also advise the Hollywood bosses what makes Jews hundreds of millions of dollars. It does not matter that Muslim Turks killed 1,5m Christian Armenians or that White colonizers killed 50 mln Native Americans. It is only important that Jews are the eternal victims, and victims deserve compassion and financial support. Victims also enjoy a reduced tariff towards their own genocides, that’s why the media teach us that we should be sorry for Jews that they kill Palestinians. The holocaust is a product, it’s a gold mine, a separate chapter of psychology and a philosophy of global lies which has been built on racial hatred towards Germans, and now even to the Poles who saved them.
Well, it’s a trick, we always use it. When from Europe somebody is criticizing Israel, then we bring up the Holocaust. When in this country (USA) people are criticizing Israel, then they are anti-Semitic. And the organization is strong, and has a lot of money, and the ties between Israel and the American Jewish establishment are very strong and they are strong in this country, as you know. And they have power…”
– Shulamit Aloni, former Israeli minister, 14th of August 2002, Democracy Now.
Has Hollywood ever produced at least one film about the fate of German women and children after the war, when the Red Army entered Berlin and the Russian soldiers raped 2 million women? Has Hollywood ever produced at least one film about how the rich Jews from Wall Street financed Hitler and used him for their own purposes and how they built Israel on the tragedy of poor Jews who occupied Europe? I would also like to see a film about how the US and the British aircraft used to fly over concentration camps in the early 40s but didn’t bomb them because Churchill gave orders to not to do it, because it was contrary to the plans of the Jewish Zionists. We won’t see such films in Zionwood because films like that would teach us to not not sympathize with Jews, who are currently in the process of building another holocaust on themselves.
(Films about the holocaust I treat as sitcoms from the series: “History presented to you with Jewish eyes, so you could feel sorry for us and turn a blind eye to our atrocities, in order to increase our influence”).